Expect Libya

America: a force for global good.
Now shut up as we bomb your neighborhood.

Neighborhoods you have never visited;
Distant lands feel it first. Still interested?

Interest cannot last very long these days
We scroll, confused, in our internet daze

Dazed and confused by too many choices
Bludgeoned to silence by strident voices

Voices of those who despise truth and God
(Though they’re sometimes given a token nod)

Nodding off, doped up . . . hey wait—I hear planes!
Another world war? No. Just labor pains.

Christ warned us of this. Have you understood?
America is a force for global good.

But what really comes across in this riveting interview with the Moriartys is the utter recklessness displayed in Libya (and elsewhere, for that matter) by both NATO and the ‘rebel’ forces, as well as the relish with which they demonstrably enjoyed tearing the entire country apart. These demented animals have access to unparalleled hi-tech weaponry and vehicles, enabling them to ‘achieve feats of destruction’ that before only ‘the gods’ could perform. Their handiwork is psychopathy writ large, the nihilistic culmination of Western civilization, and the glorious – for them – embrace of the destructive principle.

Moriartys on Libya


 PROMPT  27:  write a duplex. A duplex is a variation on the sonnet, developed by the poet Jericho Brown. Like a typical sonnet, a duplex has fourteen lines. It’s organized into seven, two-line stanzas. The second line of the first stanza is echoed by (but not identical to) the first line of the second stanza, the second line of the second stanza is echoed by (but not identical to) the first line of the third stanza, and so on. The last line of the poem is the same as the first.

 

 

The Cringe

Being a treatise and brief history in epic couplets depicting and explaining how a foul usurper and rebel conspired with worthless forms of verse to overthrow a peaceful and prosperous poetic kingdom, thereby bringing in a dark age of dull free verse and resulting poetic poverty.

Oh CRINGE pernicious, thou the poets’ bane,
Foul blight, to thus turn lyric verse insane;
When would-be poets obfuscate with words
Until their silly screeds out-twitter birds.
Rambling on, imprisoned in free verse,
Poetic insult worsens still, to curse
One’s soul with cryptic milquetoast scribbled lines
In which nonsense eclipses God’s designs…

The CRINGE began with Eliot and his ilk
Poetic cream exchanged for sour milk;
Coherence then was sacrificed to form;
Blathering incoherence: the new norm.
Such clowns as Pound and Williams made it worse
With dull obscure pedantic cringey verse:
Petals on Black Boughs, with Red Wheelbarrows
(like trying to shoot poetry with toy arrows).
This tripe was on poor English students forced
Until delight from poetry divorced.
The second wife, more pushy than the ex—
Usurped the rightful powers of the rex
And vowed to bring all poetry to cringe
On a dull free-verse confessional binge.

To celebrate neurosis now the goal,
The CRINGE began to burrow, like a mole
Within the universities and schools
Transforming MA candidates to fools.

And still the foe ascended, sly with stealth
(as publishers cashed in on dubious wealth),
ascended to where poets scrawl and whine:
and fawn upon each incoherent line.

Plathetic Sylvia, moaning out her woes
And dumbing down real verse to broken prose.
Bishop, Berryman, Wallace Stevens, all
Raised foul CRINGE where Poetry took a fall.
And now the way was paved for further trash,
(Cause for many a muses’ teeth to gnash):
Language Poetry, Imagism, dreck
The queens and jacks now rose to take the deck—
CRINGE crowned itself the king and stole the throne
To claim poetic laurels for its own.

Tis’ all in vain: the kingdom and the crown
Combust in mediocrity. A frown
Where once the Muse’s lyric smile had been…
Now race-complainers dominate the scene.
LO! Feminism screeches to the choir
As chapbooks burn in temples set on fire.
Coherence staggers, bleeds and sighs its last
Yet no one mourns the loss. And now the past
Recedes as verse is buried in mass graves
And poetry retreats to hills and caves
To wait it out and laugh at all the clowns:
And mock at their esthetic ups and downs;
At nuts who cannot figure out their sex
At Marxist dolts who only write to vex
And agitate for change (and larger checks).
See readers snore before the flaming mess
Bored to sleep, all, while playing lyric chess.
Thy shame, great CRINGE, has conquered all in sight—
And none excels in dullness, nor in might.


PROMPT #26: write a poem that contains at least one of a different kind of simile – an epic simile. Also known as Homeric similes, these are basically extended similes that develop over multiple lines.

 

 

 

Multifacets

 

Diversity I inhabit:
None is my nation;
Let inspiration
Challenge your lyrical habit.

 

Now, as Kwan-yin, to change my tune—
For sheer delight,
In eastern light,
I’ll bring you the fruits of the moon.

 

Then plunder all the New World’s land.
A Spanish specter,
Mine is the scepter.
With regal bearing, I command.

 

In beaded buckskin, tawny, fair
Young maid I appear.
But I’m the seer,
And offer you a gift from there.

 

Latin porn star/Coyolxauhqui
Though cut in pieces
My gift increases:
Pure honey to the honeybee

 


My true self you may never see.
Your soul will dangle
From my bangle
Pure flame enshrouded: death to thee. 

 

I’m of no nation, in the end.
That, you cannot choose.
I reign as your muse…
You’re warned: take care lest I descend.

PROMPT #25:
An aisling, a poetic form that developed in Ireland, recounts a dream or vision featuring a woman who represents the land or country on/in which the poet lives, and who speaks to the poet about it. Today, I’d like to challenge you to write a poem that recounts a dream or vision, and in which a woman appears
who represents or reflects the area in which you live.

Transliteration

Now that virtue-signals are hopelessly confused,
And all the new TikToks silicone-filtered
And bots refuse to algorithmically read my verse
I will refuse to update my TwitFace banner.

I will stop exteriorizing the Luciferian hierarchy
From my pint-glass of unsalted gluten-free tears
Before petitioning my representative
For unlimited free abortion.

I will cease to sing the brilliance of blackness
And call light itself racist and homophobic.
Plainly, if you have one of those
You must be a woman. Excuse Us.

 

Painting: Mati Klarwein 


PROMPT #24: write a poem and describe something with a hard-boiled simile.
Use just one, or try to go for broke and stuff your poem with similes till it’s . . .
as beautiful as a chance encounter on a dissecting table of a sewing-machine and an umbrella.