Today anyone can scribble prose onto a page, give it arbitrary line breaks and call it a poem. Infamously, the minor American poets Robert Creely and Robert Bly got away with doing this, spawning generations of MFA wannabes and imitators. The post-modernist poem, known across the great pond as the McPoem, is not anything that a sophisticated reader could actually admire as he or she would Shelly’s Ozymandias or Roy Campell’s The Zebras. Rather, in our shabby social democratic times, it is a proletarian poem that any poetaster or poetasteress can write and easily get published.