Hell’s Thousand Thrones: Dim West

LO! Death has reared himself a throne

In a strange city lying alone

Far down within the dim West,

Where the good and the bad and the worst and the best

Have gone to their eternal rest.

There shrines and palaces and towers

(Time-eaten towers that tremble not!)

Resemble nothing that is ours.

Around, by lifting winds forgot,

Resignedly beneath the sky

The melancholy waters lie.

No rays from the holy heaven come down

On the long night-time of that town;

But light from out the lurid sea

Streams up the turrets silently —

Gleams up the pinnacles far and free —

Up domes — up spires — up kingly halls —

Up fanes — up Babylon-like walls —

Up shadowy long-forgotten bowers

Of sculptured ivy and stone flowers —

Up many and many a marvellous shrine

Whose wreathed friezes intertwine

The viol, the violet, and the vine.

Resignedly beneath the sky

The melancholy waters lie.

So blend the turrets and shadows there

That all seem pendulous in air,

While from a proud tower in the town

Death looks gigantically down.

There open fanes and gaping graves

Yawn level with the luminous waves;

But not the riches there that lie

In each idol’s diamond eye —

Not the gaily-jewelled dead

Tempt the waters from their bed;

For no ripples curl, alas!

Along that wilderness of glass —

No swellings tell that winds may be

Upon some far-off happier sea —

No heavings hint that winds have been

On seas less hideously serene.

But lo, a stir is in the air!

The wave — there is a movement there!

As if the towers had thrown aside,

In slightly sinking, the dull tide —

As if their tops had feebly given

A void within the filmy Heaven.

The waves have now a redder glow —

The hours are breathing faint and low —

And when, amid no earthly moans,

Down, down that town shall settle hence.

Hell, rising from a thousand thrones,

Shall do it reverence.

 

 

 

     The City in the Sea

Edgar Allan Poe (1809 1849)


Classical Monsters

I am on (in?) a Classical groove today, having posted two favorite poems:
Poe’s To Helen  and Nerval’s Delfica.

They share many similar Hellenic traits (or is Hellenistic a better term? Someone explain the difference  please—it’s all Greek to me).  I find many rich associations in both poems. In To Helen , the image of those Odyssean triremes transports me to the ancient Aegean, where the the name Psyche combines with Delos to form “psychedelic” (a purely subjective association, I know).  By now I am hearing Cream’s Tales of Brave Ulysses in my mind—but I digress . . .

If you know French, I hope you will enjoy Delfica. Here is a translation into English by A.Z. Foresman if you don’t.

Psyche’s agate lamp has illuminated and inspired me ever since I first went on an E.A. Poe kick around the same time I got interested in Symbolist art during the mid 80’s.  But long before that, in 4th grade, I attempted to memorize The Raven. I can still make it up until the line “… sorrow for the lost Lenore”.  I was really into horror movies as a kid, which would explain some of what you find at this blog.  I had a subscription to Famous monsters of Filmland magazine in the early 70’s. Did any of you read Monster magazine as a kid? I was obsessed with creepy stuff. I used to BEG my parents to let me stay up late on Saturday night for Creature Feature and Tales of the Unknown. (Channel 56 if you grew up in the Boston area)

Back to the poems: Nerval’s Chimères have fascinated me ever since a college French professor turned me on to them. Nerval’s poetry takes neoclassical madness right up to the edge of Christianity (one thinks of  Paul before Festus and Agrippa  in Acts 26: 24 -28 ) but then leaves you hanging  in a philosophical void. The French seem to have been hanging in this void for a long time, ever since their Revolution turned into a blood bath which in turn paved the way for Napoleon.  Gérard de Nerval was also left hanging apparently . . .

I wonder whether Nerval was a Christian or not.
Le Christ Aux Oliviers is so entwined with classical Greek paganism it is hard to tell.

I have tendency to blather. Gotta post this and move on.  I thought it would be about Classical Greek allusions but it turned into a monster somewhere.

Hope you found something in the poems.