Eutychus Awakes

Eutychus

 Seated in a window was a young man named Eutychus,
who was sinking into a deep sleep as Paul talked on and on.
When he was sound asleep, he fell to the ground from the third story
and was picked up dead.
[Acts 20:9]

Ye Olympian poets, hearken well
while the fall of a tragic youth I tell.
My Lydian lay, unsung by Homer
in pastoral ages far and former
shall warn and chasten your Patrician ears
recalling bygone Hellenistic years.
Pardon the insufficient gravitas—
the intention here is not blasphemous . . .

Saul, since Damascus and the desert days
had progressed to his apostolic phase;
a minor Asian town, Trojan Troas
lent him their ears. What we came to know as
Western Judeo-Christianity
was birthed in near-comic humanity.
But Saint Paul was completely serious;
feverishly focused, quite delirious.

And so the first story he narrated;
second, then a third story related,
foreshadowing from Moses’ law the Christ
and Gentile nations grafted in, or spliced
as shoots from a wild rebel olive tree;
the Eternal One who is Trinity . . .
and many other holy mysteries
he taught and unlocked with scriptural keys.
By his third story, some eyelids fluttered
the lamps burned low while his truths were uttered.
The allure of Aegean night was deep—
but he offered something greater than sleep.
Among them one languished, less than alert,
a young and exhausted Grecian convert.

Eutychus nodded, his frame barely propped,
in the night-freshened window. He had stopped
heeding Saint Paul who was preaching Jesus . . .
thus, the youth surrendered to Morpheus.

Unfortunate, weary, his tired head nods;
still exegeting from beyond, Paul plods.
Finally, the liminal threshold reached
E. falls— to encounter the power Paul preached.
His toga billowing as he plummets
from peaks of Christological summits,
he descends to gather cryptic renown
along with a dubious New Testament crown.

Was E. bored to death by St. Paul’s discourse?
Descending from grace—did he stay the course?
Or was his revival a first holy fruit
and an arrival by alternate route?
One wonders, in retrospect: was he saved?
—or is this a picture of mankind, depraved,
fallen in slumber, oblivious, dead
until Truth’s unkindness touches our head . . .
Like Lazarus, this one had to die twice
We ask: how many more deaths would suffice?
Did he talk to the Lord while departed?
Could he fathom what Jesus had started?
Like Luke’s blind man, the sin was not his own,
but that God’s power be openly shown.
For his pains, a two-fold resurrection:
rebirth, through Paul, and divine election.
(Unless the whole thing was allegory—
mere Jewish fable or pagan story . . .)
Don’t censure my Lydian levity
nor discount apostolic gravity
lamenting the youth bored to death by Paul;
we discern, in Eutychus, our own fall.
Revived, he learned, before the rest of us,
the difference between Christ and Morpheus.

If there be details still to verify
or vague scenarios to modify,
we shall, in heaven, request to hear it
from the lips of Eutychus’ own spirit.
(And then we can corroborate with Paul
The how and the who and the wherewithal.)

 

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Others got there first:  Eric Metaxas
Rosemary Dobson

AgateLamp

Psalm 23: Dolly Parton

Dolly Parton: bright as waters
cleft before the Israelites
may your matrons, sons, and daughters,
bluegrass saints and satellites

crown our country, brim our fountains
long as your lyrical honor reaches
from the Appalachian mountains
to that land the Bible preaches.

Hear our thanks for all your singing
all the years of Faith and Glory
lifting up the Lord – then stinging
like a psalm (imprecatory).

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Love-Lines: AZ

Box Canyon / Chevelon Creek

 Hast thou entered into the springs of the sea? 
or hast thou walked in the search of the depth?
Have the gates of death been opened unto thee? 
Hast thou perceived the breadth of the earth?
declare if thou knowest it all.
Job 38: 16-18
Oh that the desert were my dwelling place,
With only one fair spirit for my minister.
That I might forget the human race,
And hating no one, love her only.
Lord Byron,Childe Harold’s Pilgrimage

 

I walked alone into the waste
in search of rivers—not a taste
of water could I find
to liquidate my mind.

Under the sun in vanished lakes
alive with scorpions and snakes
I sought within my soul
her limpid watering hole.

The mogollón once hunted here
as piñon pines disclosed the deer
but now not even bones
remained among the stones.

Scattered beads and the odd spearhead
my visionary soul misled;
the moment was my home
and I was free to roam.

Burial caves of ash and silence
spoke in tones of bygone violence;
grinding stones lay broken—
her archaeological token.

I found a pot within a niche
still balanced well, despite the pitch
as if the owner’s urn
awaited her return.

Amidst the fragments, free at last
in potsherd patterns of the past
I followed ancient streams
through arid zones and dreams.

Exploring a dry riverbed
unraveling her golden thread
while stepping off a ledge
descending from the edge,

I almost trod upon a snake
and quick adjustment had to make.
Reluctant viper-battler,
I flinched. It was a rattler.

As my right foot continued down
I saw the scales and dusty brown;
mere inches from its head
the imprint of my tread!

The serpent was too cold and slow
to strike a poisoned morning blow…
The sun still in the east—
I swerved and missed the beast.

The desert’s charm advanced from there.
She showed me sights I barely dare
to tell lest I sound singed
My mind she so unhinged.

I stood before the gate of vision,
rapt in shadowed indecision,
gazing in the maw,
unsure of what I saw:

A ruined mineshaft’s empty grin
that mocked and whispered: “Come within.
The words of Job are here
in wisdom born of fear…”

Necropolis; a gaping  portal…
Feeling less than weakly mortal
deep I stared inside
allured yet terrified.

A passage to the depths of dread
The book of Job, the sleeping dead
I barely now recall
yet understood it all…

Still thirsting through her arid land
divining truths in shifting sand
I ventured on in vain,
beseeching God to reign.

The javelinas mocked my quest;
beguiled me onward, further west
where Dutchmen hide their gold
and Apache tears are sold.

Her rainbow shades and distant mesas
silhouetted,  paint her face as
nobly as the lands
her presence still commands.

Her beauty smiled: a virtual face
of glyphic pre-Columbian grace
decentralized desire
in sublimated fire…

She led me to the springs of life
my moonlight maid and desert wife;
my nights upon the mountains
in search of spectral fountains.

Ex-nomad of the mythic west
my unfound treasure now confessed;
her deserts had me smitten…
for her my poem’s written.

 

 

 

 

 

 

 

Where to begin…

I listened to the song  below (Silver Waterfalls by Siouxsie Sioux from the album Superstition) in the Arizona desert near Chevelon Canyon where I lived in 95′. I always made a personal association with the album’s title and the Superstition mountains of Arizona. I was care-taking on some land for a friend and would go for up to 2 weeks without seeing another human being – only the Piñon pines, coyotes, clouds, birds and a view of the Painted Desert on the Northern horizon from my front step. The distant spires and buttes were amazing to see in the dawn and twilight. There was a Mogollón burial right near my camp – I found arrowheads, broken metates (grinding stones) and even some beads.

spearhead

On Easter morning my visiting friend  found a perfectly flaked flint spearhead in a dry stream bed, still razor-sharp.

This lovely and mysterious song catalyzed it all for me. I am only able to approximate a fraction of the transcendence I was experiencing. There were dried riverbeds I was walking in and I could see where the waterfalls had carved out the sandy basins during past storms. All through this time, the lyrics of this song took on greater and greater intensity. I experienced epiphanies while walking among the canyon cliffs, beside the flowing creek lined with cottonwood trees, past petroglyphs and rock art, exploring burial caves and pit-house ruins covered with fragments of Black-on-white Mogollón pottery. It was a magical time. It was very beautiful . . . frighteningly so.

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Lyrics HERE
IMAGE CREDIT: http://efedra.tumblr.com/

 

 

 

Lindísima: Voice of Linda

Southwestern Dis-United States of Memory

Piñon smoke and sagebrush, voice of New Mexico night driving into an Arizona dawn rising over dreaming pueblos, low-ridden plazas, kivas and ruined cities’ rubble traced and highlighted by sunlight, Anglo angling into Aztec toward Zuni over arid zones… A to Z to El Dorado; a voice covers the high hills with a dusting of snow – every word hangs in the notes of the song: music to fall apart to, breakdown to, hurling the soul  into the bottomless well of psychotic nostalgia: música de cavanga, falling into the depths. Melody pushing to the threshold of a bar and leaving you there with cash in your pocket and no ride home. The warmth inside beckons—you step across as the song fills, swells, intoxicates, then excavates the wall of the dam until it collapses. The fatal mistake: you read too much into the lyrics of shallow love songs. The deathwish beast of despair arises, the flooded plains dazzle your eyes, the Indian girl smiles on the rim of the grand canyon, the tattooed cholo pulls a knife in the trailer park, the dark waters under the bridge murmur and surge with regret; el río de Las Animas, Durango CO, Aztec calligraphy on the wall: Las Cruces, NM; Clifton, Morenci, Globe, AZ: stepped pyramids of copper tailings, gang-warred walls in fallen barrios covered in Chicano hieroglyphics, the ruined huts of shepherds and cowboys, pit-house dwellings’ flaked arrowheads and pottery fragments scattered forever in the coyote laugh of desert dusk. Crepuscular colors on the names of mountain ranges: Santa Catalina, Sangre de Cristo, Sandia, each one a separate sunset delirium—then you ride through the night to the city of palm trees and the orange-lined boulevards of Heaven. The singer herself grew old but her YouTubes live forever.

St Poneys

I  The Stone Poneys
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(Don’t drink and listen to this stuff alone.)