You May First Enjoy

… my poems posted for April,
National Poetry Writing Month 2017

1. Ode to the Nine
2. Global Fail
3. Party of One
4. Sandalistas
5. #smugsecular
6. Objective: No Objectives
7. Lawyerspeak
8. Aping Our Apologist
9. Broadway’s Strait Gate
10. Pardon My French (limericks)
11. Scot-Free (Great Scot!)
12. Mirage: My Rage
13. God of Oprah
14. Armed and Dubious
15. Eggstravagonzo
16. Seamless & Dreamless
17. Tibetan Limerick
18. Teetotaling Totalitarian
19. Vehicular Futility
20. Reset to Eden
21. Our Lady of Poetry
22. Latina en la tina
23. La Kumbia Kalvinista
24. Confessions of a Failed Anarchist
25. Best Bets are Off
26. Earth Control Methods
27. Burning Limericks: Psalm 97
28. Verse on the Rocks
29. Lost Prophets Regained
30. Lo-Def Digital Delay

Flaming the Muses: Poetic Pyromania

Haunted by data, hounded by blog-bots, assailed by algorithms, poets have been reduced to human resources, fractionated, monetized and commodified like petrochemical residues of the antediluvian world. In keeping with that metaphor imposed upon us by ourselves, we await a mere spark to begin consuming our own fuel, flaming voraciously into poetic combustion. Through this incendiary process, we liberate the very energy that an unpoetic world seeks to label, quantify and merchandize. Flame, however, cannot be commodified—only intensified, suppressed, or extinguished. Elemental fire may be started by lightning, produced by physical friction, electro-chemical reaction, or started from a pre-existing blaze. Poetry is similar; whether sent from God as a bolt of epiphany, a spontaneous combustion, or as a transposed flame inspired by anterior works, April is our month for playing with metaphysical fire. It is thus that we, as elemental (or just mental) poets, refuse, at all levels (lyrical, cultural, mercantile, geologic, celestial and infernal, etc.) to be co-opted, commodified, and/or in any way politically corrected.

We poetic oilmen and women are the active nihilists of a nihilistic era. We locate promising sites, then we draw up, from below poetic bedrock, raw inspiration. NaPoWriMo allows us to drill deep into the sedimentary layers of poetry and tap into the deposits of lyrical fuel trapped within. Some gets pumped up, some comes gushing spontaneously to the surface in a crude form. It can then be refined to varying degrees of flammability and into differing types of fuel; think diesel versus jet fuel… one will take you further faster, but both are indeed fuel.

As oilmen and women, we pump our precious resource up in raw form from subterranean seas—the remains of lyric flora and fauna of a previous age buried under the silt of an inundation of data-driven global dullness. Through sheer creative will we set these deposits ablaze, to produce, out of the incoherent night that surrounds us, poetic illumination. In the light of our own flame, we cerebrate celebrate the utter uselessness of our artistic product—by continuing to create it, refine it, and then burn it up in a transcendent pyre of irrelevance. Thus, we wage uncompromising war against the powers and principalities of technoid global dominion. Our useless words, unread and unwanted, undermine the process of attempted global conquest by the unpoetic Enemy.


Another Fool For April

Chakras

It’s National Poetry Writing Month!
Align your chakras, hold your breath.
Let poetry flood your living spirit;
free your mind from lyrical death !

Let go the appallingly unpoetic:
meditate.  Assume the position.
Adore your muse in rhythmic wonder;
write in automatic transmission.

Chant the mantra: NaPoWriMo
Let it hum like raw electricity.
Find your center… focus inward
¡ And thus behold sublime diversity !

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NaPo2016 roof

On the Lyrical Eve

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Therefore every scribe who has been trained for the kingdom of heaven
is like a master of a house, who brings out of his treasure what is new and what is old.
Matthew 13:52 [ESV]

This will be my second year posting a poem per day during April for National Poetry Writing Month aka NaPoWriMo.

I must qualify my participation in this lyrical conflagration; I am bringing forth poems already written but never posted—which causes me to consider my poetic rationale: spontaneous gush vs. obsessive workmanship.

I used to believe that creative souls produce their most authentic work in a frenzied flow of inspiration. This is the modern myth of the Artist as oracle or prophet; a being so special she/he just HAS to get it out there in one inspired unburdening. To alter it is to make it less authentic; rather like vomiting or excretion, no?  But as I grew up and reconsidered things, I moved away from this model. I realized that derivative techniques like collage, “found poetry“, surrealist shock-art, dadaist mockery of previous paradigms and the ironic take on a well-known theme are all good fun, but in the end too easy. This approach cheapens the creative discourse and eventually tries to turn art into a “happening”, poetry into “automatic writing”, music into nihilistic cacophony, and so on.

Stream-of-consciousness dribbles, rants and visionary diatribes often (though not always) make for boring art; we are reminded that we have seen it many times before. Some do it very well—that is sure. I like surrealistic collage and quirky spontaneous juxtaposition, don’t get me wrong; but as a steady diet it will leave you artistically malnourished. We can’t all be dadaists or minimalist mystics . . . or even Zen haikuists. The other approach to art stresses craftsmanship and mastery and goes against the model of “Artist as mystically-inspired Other” which has been foisted upon us since the beginning of Modernism in the late 19th century.

So I confess—I am not really writing one-a-day for April. I am bringing out of my coffers amateur jewelry set with merely semi-precious stones. I have, however, been reworking, refining, polishing, and finishing these adornments for my loyal Connectees. They have been faithfully and obsessively crafted.

I invite you to read my poetry over the next 30 days. And remember
you have the RIGHT
to be offended !