We also know too little, and are bad learners: so we are obliged to lie. And which of us poets has not adulterated his wine? Many a poisonous hotchpotch has evolved in our cellars: many an indescribable thing has there been done. And because we know little, therefore are we pleased from the heart with the poor in spirit, especially when they are young women! And even of those things are we desirous, which old women tell one another in the evening. This do we call the eternally feminine in us. And as if there were a special secret access to knowledge, which chokes up for those who learn anything, so do we believe in the people and in their “wisdom.” This, however, do all poets believe: that whoever pricks up his ears when lying in the grass or on lonely slopes, learns something of the things that are between heaven and earth. And if there come to them tender emotions, then do the poets always think that nature herself is in love with them: And that she steals to their ear to whisper secrets into it, and amorous flatteries: of this do they plume and pride themselves, before all mortals!
It is hardly surprising that commercialism, the passport to physical prosperity, should be the prevalent idea of an age, when, through the disintegration of class-rule, prosperity is for the first time in history possible for all; nor is it surprising that the masses, stupefied from time immemorial in the cavern of Pain, hereditary and inescapable Pain, should, when released at last a little, drink some madness from the unaccustomed sun, and follow, as they do to-day, Pleasure for Pleasure’s sake, even over the precipice: nor, moreover, is it surprising that the vast majority of the people, educated, though it be but with a smattering, for the first time in history, should not yet to any great extent be partial to poetry, the final flower of the human intellect.
CONNECT/HOOK 