Postcard from Island Gulag #669A

Hi all !

Having a great time here in post-modern poetry.
We’ve been on the island since Sylvia Plath croaked in ’63.
It’s been a bit smoggy and verbose   incoherent   gratuitously cryptic, but the prison-guards are super-nice and they let us write Haiku once in a while. There’s this MFA creative-writing place just up the road from the gulag, it’s really charming. They publish a chapbook that 4 people on the island read. They also host workshops, like How to Find Your Authentic Voice and Pushing Language Beyond the Boundaries. Last night we saw some non-identity-politics-driven verse in the nearby wilderness reserve. It had beautiful plumage and made totally weird sounds. (Hey Dylan, you’re remembering to feed my muse, right? Don’t let her out after 5 since she might stay out all night. She does NOT like the free-verse abstract work. Feed her the structured message-oriented stuff to the right of the literary-elite class. Thanks ☺ ) Anyway, we’re trapped on this island so if you find someway to get us off, do your best.
PLEEZ tell the editorial prison-guards that we are working on our English Lit degrees. And send the Maya Angelou and Adrienne Rich books soon !!!!!

Love,
Rita Dove’s Bookshelf

PROMPT:   draft a prose poem
in the form/style of a postcard

 

 

Flaming the Muses: Poetic Pyromania

Haunted by data, hounded by blog-bots, assailed by algorithms, poets have been reduced to human resources, fractionated, monetized and commodified like petrochemical residues of the antediluvian world. In keeping with that metaphor imposed upon us by ourselves, we await a mere spark to begin consuming our own fuel, flaming voraciously into poetic combustion. Through this incendiary process, we liberate the very energy that an unpoetic world seeks to label, quantify and merchandize. Flame, however, cannot be commodified—only intensified, suppressed, or extinguished. Elemental fire may be started by lightning, produced by physical friction, electro-chemical reaction, or started from a pre-existing blaze. Poetry is similar; whether sent from God as a bolt of epiphany, a spontaneous combustion, or as a transposed flame inspired by anterior works, April is our month for playing with metaphysical fire. It is thus that we, as elemental (or just mental) poets, refuse, at all levels (lyrical, cultural, mercantile, geologic, celestial and infernal, etc.) to be co-opted, commodified, and/or in any way politically corrected.

We poetic oilmen and women are the active nihilists of a nihilistic era. We locate promising sites, then we draw up, from below poetic bedrock, raw inspiration. NaPoWriMo allows us to drill deep into the sedimentary layers of poetry and tap into the deposits of lyrical fuel trapped within. Some gets pumped up, some comes gushing spontaneously to the surface in a crude form. It can then be refined to varying degrees of flammability and into differing types of fuel; think diesel versus jet fuel… one will take you further faster, but both are indeed fuel.

As oilmen and women, we pump our precious resource up in raw form from subterranean seas—the remains of lyric flora and fauna of a previous age buried under the silt of an inundation of data-driven global dullness. Through sheer creative will we set these deposits ablaze, to produce, out of the incoherent night that surrounds us, poetic illumination. In the light of our own flame, we cerebrate celebrate the utter uselessness of our artistic product—by continuing to create it, refine it, and then burn it up in a transcendent pyre of irrelevance. Thus, we wage uncompromising war against the powers and principalities of technoid global dominion. Our useless words, unread and unwanted, undermine the process of attempted global conquest by the unpoetic Enemy.


March On, Oh My Soul

I am re-posting previous work during March.
Since 2014, I’ve published 30 original poems
for National Poetry Writing Month every April.

You can read more by clicking the NaPoWriMo widgets to the right

Lines Composed upon the Finished Perusal of a Large Volume of Poetry

The worst will be found toward the end of the book
When you’re scanning the lines of a weighty anthology.
Centuries have shaken what works can be shook,
What is old is refined—and I make no apology.

Angst-ridden ramblings, so fashionably bleak
Start appearing somewhere past the middle, I fear
With those modernist psyches, whose raggedly weak
And depressing confessions sling mud in the ear.

Like the scribblers of Suicide, brimming with bile
Or the autodestructive self-pitying boozer,
Whose quaint observations enshrining the vile
Are a crime against life and an art for the loser.

You ideologues, with your axes to grind,
Propagandizing causes in militant styles
Ought to stay in the hills, where the struggle is defined,
And spare us the old dialectical wiles.

The Feminist scribe, with her sex for a mouth,
Ever pressing her case, for fallopian reasons
Grows saggingly sterile. Her muses fly south
With the passing of harvests and goddessless seasons.

Absurdists, surrealists, and nihilist mystics
Whose hymns to destruction make glory of chaos
Should leave the black humor to God and ballistics.
Your poems, like Judas, are bound to betray us.

The Freudian flirt (whose neuroses abound),
And the Jungian shamans (their animas, too),
Ought to rest on their couches. Why should they be found
By the wellsprings of Spirit, whose guidance is true.

The art-lover’s lines gild a frame around Knowledge.
Their poems are like an art history course.
As they flit past the idols they studied in college
Their name-dropping odes are a grand tour-de-force.

Sixties drug-revelers, love beads a-jingle
And brothers dashiki-clad, howling at Nixon
No longer strike chords in my soul. Not a single sitar lick
Nor visions of hippie-chick vixen.

You rhymers and rappers of rhythms in sample
Whose words like a kick-drum send shock through old Whitey
Now cease from your chanting. The genre is ample.
Your gangstering paeans are too fly-by-nighty.

Revived Roman legions, who relish things Latin;
Your martial convictions inspire the hero.
But while you are looking for cities to flatten,
Remember: old Julius was nobler than Nero.

The theme of World Peace. This crops up near the ending:
A desperate hope for New-Agers and liberals,
Who cherish a dream of reality-bending
Through networking, magic, and energized crystals . . .

But what can be shaken shall perish, forgotten.
Anthologies show us that truth is enduring.
All praises and laurels shall prove misbegotten.
The Word become flesh is the most reassuring.

So I leave the anthology, closing its cover.
Three-quarters at least seemed like nonsense to me.
Yet still, I admit, I’m a poetry lover.
Let time do its work and in future—we’ll see . . .