And to the angel of the church in Philadelphia write;
These things saith he that is holy, he that is true,
he that hath the key of David,
he that openeth, and no man shutteth;
and shutteth, and no man openeth;

Revelation 3:7 (KJV)

 

Revelation: three, seven—the Kingdom of Heaven

The key to unlocking both glory and shame.

Philadelphia knows He’s arriving in newness

inscribing on foreheads His city and name.

(Though it could be on tee shirts or baseball caps, true—

unless someone takes time to decipher the text . . .

is it Greek? Aramaic? Amharic? What next?)

Don’t be mad—it’s not me but old John who’s to blame.

Of names and on numbers of Savior and Beast

I have lately been pondering, trembling, wondering

mushroom-cloud raptures in mind’s eye a-thundering.

How will we get to that marriage-day feast?

Will my garment be ready or filthy with fall-out?

(The song says His blood will make clean if we call out

in faith for forgiveness, in humble repentance

believing that grace will abolish the sentence.)

You may wish my rhyme to be likewise abolished.

Bear with me. Forgive me, I grant it’s not polished.

I speak what I feel and I write when I’m able;

which brings us to heavenly thoughts gastronomic:

what dishes we’ll meet as we dine at that table—

strict Jewish? Angelic? Or pre-Abrahamic?

Shall they serve us from silver or common ceramic?

Being clay to the potter, an unfinished vessel

I leave all these questions for others to wrestle.

Yet there’s still one more realm I explore in conjecture:

the sounds at that gathering.  Classical?   Rock?

Unending revivalist Christian refrains?

Shall we headbang in heaven with glorified brains?

Psychedelic/Psychotic . . .  or  Handel and Bach?

(Lighten up. It’s the end of my bible-school lecture.

You’ve seen a few rooms of my castle-in-air,

and we ALL know it’s reggae they’re playing up there…)