Serpent’s Generation: Doomed

Michael Wigglesworth (1631—1705)
The wicked all convinced and put to silence.

CLXXXI.

“A crime it is, therefore in bliss
you may not hope to dwell;
But unto you I shall allow
The easiest room in Hell.“
The glorious King thus answering,
they cease, and plead no longer;
Their Consciences must needs confess
his Reasons are the stronger.

Behold the formidable estate of all the ungodly as they stand
hopeless and helpless before an impartial Judge, expecting their final Sentence.

CLXXXII.

Thus all men’s pleas the Judge with ease
doth answer and confute,
Until that all, both great and small,
are silencéd and mute.
Vain hopes are cropt, all mouths are stopt,
sinners have naught to say,
But that ’tis just and equal most
they should be damn’d for aye.

CLXXXIII.

Now what remains, but that to pains
and everlasting smart,
Christ should condemn the sons of men,
which is their just desert?
Oh rueful plights of sinful wights!
Oh wretches all forlorn!
’T had happy been they ne’er had seen
the sun, or not been born.

CLXXXIV.

Yea now it would be good they could
themselves annihilate.
And cease to be, themselves to free
from such a fearful state.
O happy Dogs, and Swine, and Frogs,
yea, Serpent’s generation!
Who do not fear this doom to hear,
and sentence of Damnation!

CLXXXV.

This is their state so desperate;
their sins are fully known;
Their vanities and villanies
before the world are shown.
As they are gross and impious,
so are their numbers more
Than motes in th’ Air, or than their hair,
or sands upon the shore.

You Sinners Are

Michael Wigglesworth (1631—1705)
The free gift.

CLXXVII.

“I may deny you once to try,
or Grace to you to tender.
Though he finds Grace before my face
who was the chief offender;
Else should my Grace cease to be Grace,
for it would not be free,
If to release whom I should please
I have no liberty.

CLXXVIII.

“If upon one what’s due to none.
I frankly shall bestow,
And on the rest shall not think best
compassion’s skirt to throw,
Whom injure I? will you envy
and grudge at others’ weal?
Or me accuse, who do refuse
yourselves to help and heal ?

CLXXIX.

“Am I alone of what’s my own,
no Master or no Lord?
And if I am, how can you claim
what I to some afford?
Will you demand Grace at my hand,
and challenge what is mine?
Will you teach me whom to set free,
and thus my Grace confine?

CLXXX.

“You sinners are, and such a share
as sinners, may expect;
Such you shall have, for I do save
none but mine own Elect.
Yet to compare your sin with their
who liv’d a longer time,
I do confess yours is much less,
though every sin’s a crime.

On a Chinese Roll

Up on the hill / People never stare
They just don’t care
Chinese music under banyan trees
Here at the dude ranch above the sea
Aja / When all my dime dancin’ is through
I run to you

Up on the hill / They’ve got time to burn
There’s no return
Double helix in the sky tonight
Throw out the hardware / Let’s do it right
Aja
When all my dime dancin’ is through
I run to you

Up on the hill / They think I’m okay
Or so they say
Chinese music always sets me free
Angular banjoes / Sound good to me
Aja
When all my dime dancin’ is through
I run to you

Aja Lyrics: Walter Carl Becker Donald Jay Fagen
Lyrics © Universal Music Publishing Group

P.F. Chang ?

Chinese Verse in Floyd Lyrics

It’s not that widely known that Pink Floyd quoted lines from classical Chinese poetry in a couple of their early songs. (Not widely known, but known nevertheless – see Note at bottom of page).

The first was the song ‘Chapter 24’ on Piper at the Gates of Dawn, released in 1967. This song by Syd Barrett quotes the Chinese Book of Changes (Yi Jing), a very trendy thing to do at the time and still apparently quite trendy, judging by the number of hits for this term on the Internet. But this is pretty boring stuff. Anyone with a passing interest in Oriental mysticism is apt to quote the Yi Jing as proof of his/her hipness. It’s on a par with attributing anything vaguely Oriental to ‘Zen influences’.

http://www.cjvlang.com/Pfloyd/index.html

Allusions to Classical Chinese Poetry in Pink Floyd