Kushitic Closure

This poem is inspired by memories of a lovely and kind-hearted Ethiopian university student who lived with my family when I was ten. She introduced us to berbere and doro wat, and taught me to appreciate gastronomy from Africa’s horn. She had a beautiful smile, she had a Wilson Pickett record and she initiated me into the mysteries of pop music and the radio. Her name was Adeye. This was in the mid-70’s just before the Marxist coup which brought in Haile Mengistu Mariam. We lost touch with her long ago. The poem is also inspired by times I have been offered coffee among Ethiopian people, who have a beautiful ceremony involving frankincense when they partake.

One last Kushitic dream—be patient: once I was at the Boston Museum of Fine Arts, in the Egyptian mummy room (a Coptic one-liner there for you). I was chatting with a beautiful Eritrean security guard among the crypts. Mysteriously, everyone cleared out and for a short while it was only the two of us, surrounded by opened sarcophagi in the dimly-lit room. For a moment I thought I was speaking with the eternal spirit of some princess who had just climbed out of one of them !

 

Kaffa-Coffee

Abyssinia

I long to know that land in spirit
where the highlands meet the desert.
Where there’s faith and coffee served
with ceremony still observed.

The white-robed land, where priests intone
in levite ritual ‘round the ark.
A land in clouds of frankincense,
whose past is bitter, strong and dark. 

meroe02

I’ll enter where the rock is carved
in cruciform epiphany;
where Midian’s curtains hide the starved

whose hunger feeds conspiracy. 

I’ll walk the wilds of Meroë
all ruined in the desert sands,ethiop cross
where beauty wails and ululates
as silver gleams on amber strands.

Her kings and peasants come to naught
when princes’ plots are overthrown.
Her blameless name was never bought;
her faith in Christ is scribed in stone.

lalibela04

Queen Sheba’s golden sepulcher – 
your modern guises can’t suffice
to quench the fire of God and spice.

Davidic land—like calvary
your power purifies the heart
through struggle, prayer, and ancient art.

Kublai Khan: Yaitopya

 

…A damsel with a dulcimer
In a vision once I saw:
It was an Abyssinian maid,
And on her dulcimer she played,
Singing of Mount Abora.
Could I revive within me
Her symphony and song,
To such a deep delight ‘twould win me,
That with music loud and long,
I would build that dome in air,
That sunny dome! those caves of ice!
And all who heard should see them there,
And all should cry, Beware! Beware!
His flashing eyes, his floating hair!
Weave a circle round him thrice,
And close your eyes with holy dread,
For he on honey-dew hath fed,
And drunk the milk of Paradise.

From: Kubla Khan by Coleridge ( 1772- 1834)

Princes shall come out of Egypt;
Ethiopia shall soon stretch out her hands unto God.

Sing unto God, ye kingdoms of the earth;
O sing praises unto the Lord; Selah:

To him that rideth upon the heavens of heavens,
which were of old;
lo, he doth send out his voice,
and that a mighty voice.

Ascribe ye strength unto God:
his excellency is over Israel,
and his strength is in the clouds.

O God, thou art terrible out of thy holy places:
the God of Israel is he that giveth strength and power
unto his people.
Blessed be God.

Psalm 68:31-36     (KJV)

 

Inhuman Rites: Animal Husbandry

Oh Kushite muses, open wide my lips
Regardless whether blood or honey drips,
To speak against the backwardness of those
Who progress, light, and liberty oppose.
To clarify a theme of clannish wrong
While nomads move the camel-herds along.
Animal husbandry takes on new meaning:
Their brides sewn shut; their pasturelands are greening;
Sheba’s daughters cheated of their pleasure,
Despoiled through painful plunder of their treasure.

Filthy blade in hand, the crone bears witness.
The girl in terror, clueless, cut, then clitless.
As if this weren’t enough, infibulation
Ensures the bridegroom’s bloody domination.
The honeymoon brings every husband joy:
Reopening the wrapping on his toy.
Where knife or horse-whip place their gentle kiss,
There, Kushite swains deliver nights of bliss.
And nine moons later, motherhood, grown mild,
Is opened yet again by blade for child.

From Kush to Punt, on Afric’s burning horn,
Sadistic ways cause modern minds to mourn.
We wonder how this barbary was born . . .
Many Bantus, and Ishmaelites as well
Consign their birth-machines to living hell.
Explain to me how Satan sold this rite
To those who dwell in bio-sexual night?
Veiled in flesh, her godhead cast aside
Subjected to some herdsman’s wounded pride . . .
Let Kush and Punt, their glory days recall;
Their daughters drink the wormwood and the gall.

Old scars, reopened, threaten to infect
What multi-culti feminists protect.
(But no one ought to talk about such things
because of all the prejudice it brings.)

Hard Questions

𐩣𐩧𐩨/𐩣𐩧𐩺𐩨

And there were gardens bright with sinuous rills,
Where blossomed many an incense-bearing tree . . .
Coleridge: Kubla Khan

Sheba’s wailing Queen laments for Yemen:

Her incense trees are lacerated, scarred.

Sapped for their fragrance, drained of life and marred

Their smoking blood offered up to heaven.

No sinuous rills flow forth to bless the dead;

Beneath her ruined dam no gardens grow;

And Bedouins only sing of what they know

In wastelands of the nomad past. It’s said

That all those spices, all that golden smoke

and irrigated dreams beneath the sand

were just a subtle Solomonic joke.

The yearly weight of gold, the camel-trains,

Are cryptic numbers—chanted in refrains

That only Marib’s phantoms understand.

 

PROMPT #4: write a poem based on an image from a dream.