This poem is inspired by memories of a lovely and kind-hearted Ethiopian university student who lived with my family when I was ten. She introduced us to berbere and doro wat, and taught me to appreciate gastronomy from Africa’s horn. She had a beautiful smile, she had a Wilson Pickett record and she initiated me into the mysteries of pop music and the radio. Her name was Adeye. This was in the mid-70’s just before the Marxist coup which brought in Haile Mengistu Mariam. We lost touch with her long ago. The poem is also inspired by times I have been offered coffee among Ethiopian people, who have a beautiful ceremony involving frankincense when they partake.
One last Kushitic dream—be patient: once I was at the Boston Museum of Fine Arts, in the Egyptian mummy room (a Coptic one-liner there for you). I was chatting with a beautiful Eritrean security guard among the crypts. Mysteriously, everyone cleared out and for a short while it was only the two of us, surrounded by opened sarcophagi in the dimly-lit room. For a moment I thought I was speaking with the eternal spirit of some princess who had just climbed out of one of them !
I long to know that land in spirit
where the highlands meet the desert.
Where there’s faith and coffee served
with ceremony still observed.
The white-robed land, where priests intone
in levite ritual ‘round the ark.
A land in clouds of frankincense,
whose past is bitter, strong and dark.
I’ll enter where the rock is carved
in cruciform epiphany;
where Midian’s curtains hide the starved
whose hunger feeds conspiracy.
I’ll walk the wilds of Meroë
all ruined in the desert sands,
where beauty wails and ululates
as silver gleams on amber strands.
Her kings and peasants come to naught
when princes’ plots are overthrown.
Her blameless name was never bought;
her faith in Christ is scribed in stone.
Queen Sheba’s golden sepulcher –
your modern guises can’t suffice
to quench the fire of God and spice.
Davidic land—like calvary
your power purifies the heart
through struggle, prayer, and ancient art.
WE cannot tell exactly who the Queen of the South was,
nor exactly where Sheba lay. The expression used is Yemen, the south. Yemen is the name of a part of Arabia Felix and it would appear from the spices which the Queen brought with her that she came from that region. At the same time, the Abyssinians claim her as having been their queen. They say that she was converted through her conversations with Solomon, that afterwards the faith of God was preserved in the country, and hence that that famous Ethiopian, who was a eunuch of great authority under Candace in later times, was a proselyte to the Jewish faith on account of that faith existing in Abyssinia.
A Greater Than Solomon
[Sermon #3166 by Charles Spurgeon – published October 14, 1909]
And King Solomon gave to the queen of Sheba all that she desired, whatever she asked besides what was given her by the bounty of King Solomon. So she turned and went back to her own land with her servants. Now the weight of gold that came to Solomon in one year was 666 talents of gold, besides that which came from the explorers and from the business of the merchants, and from all the kings of the west and from the governors of the land.
1 Kings 10:13-15 [ESV]
No mention shall be made of coral, or of pearls:
for the price of wisdom is above rubies.
The topaz of Ethiopia shall not equal it,
neither shall it be valued with pure gold.
Job 28: 18-19 [KJV]
This calls for wisdom:
let the one who has understanding
calculate the number of the beast,
for it is the number of a man, and his number is 666.
“This business of a poet,” said Imlac, “is to examine, not the individual, but the species; to remark general properties and large appearances. He does not number the streaks of the tulip, or describe the different shades of the verdure of the forest. He is to exhibit in his portraits of nature such prominent and striking features as recall the original to every mind, and must neglect the minuter discriminations, which one may have remarked and another have neglected, for those characteristics which are alike obvious to vigilance and carelessness.
“But the knowledge of nature is only half the task of a poet; he must be acquainted likewise with all the modes of life. His character requires that he estimate the happiness and misery of every condition, observe the power of all the passions in all their combinations, and trace the changes of the human mind, as they are modified by various institutions and accidental influences of climate or custom, from the sprightliness of infancy to the despondence of decrepitude. He must divest himself of the prejudices of his age and country; he must consider right and wrong in their abstracted and invariable state; he must disregard present laws and opinions, and rise to general and transcendental truths, which will always be the same. He must, therefore, content himself with the slow progress of his name, contemn the praise of his own time, and commit his claims to the justice of posterity. He must write as the interpreter of nature and the legislator of mankind, and consider himself as presiding over the thoughts and manners of future generations, as a being superior to time and place.
Dig Sam Johnson’s screed HERE
“Wherever I went I found that poetry was considered as the highest learning, and regarded with a veneration somewhat approaching to that which man would pay to angelic nature. And yet it fills me with wonder that in almost all countries the most ancient poets are considered as the best; whether it be that every other kind of knowledge is an acquisition greatly attained, and poetry is a gift conferred at once; or that the first poetry of every nation surprised them as a novelty, and retained the credit by consent which it received by accident at first; or whether, as the province of poetry is to describe nature and passion, which are always the same, the first writers took possession of the most striking objects for description and the most probable occurrences for fiction, and left nothing to those that followed them but transcription of the same events and new combinations of the same images. Whatever be the reason, it is commonly observed that the early writers are in possession of nature, and their followers of art; that the first excel in strength and invention, and the latter in elegance and refinement.
“I was desirous to add my name to this illustrious fraternity. I read all the poets of Persia and Arabia, and was able to repeat by memory the volumes that are suspended in the mosque of Mecca. But I soon found that no man was ever great by imitations. My desire of excellence impelled me to transfer my attention to nature and to life. Nature was to be my subject, and men to be my auditors. I could never describe what I had not seen. I could not hope to move those with delight or terror whose interests and opinions I did not understand.
“Being now resolved to be a poet, I saw everything with a new purpose; my sphere of attention was suddenly magnified; no kind of knowledge was to be overlooked. I ranged mountains and deserts for images and resemblances, and pictured upon my mind every tree of the forest and flower of the valley. I observed with equal care the crags of the rock and the pinnacles of the palace. Sometimes I wandered along the mazes of the rivulet, and sometimes watched the changes of the summer clouds. To a poet nothing can be useless.
from: Rasselas by Samuel Johnson, 1759