Fear Not: Cherubim vs. Seraphim

Ezekiel SHARP

Why do sinful human beings think of angels as cute little bambini, lovable old bumbling frumps, androgynous pretty-boys and feathered friends? The Bible depicts them as terrifying messengers, who fill their startled beholders with panic and sickness unto dread. In Ezekiel, they are described as freaky frightening extraterrestrial beings with multiple faces (beast and human), as well as having myriad eyes covering their fiery bodies. Angels must first allay the fears of the humans they encounter before they are able to get their message across.

Who & what exactly are the messengers of Heaven ?

Colonial Graven

 

 

 

 

Wheels within Wheels

Ezekiel SHARP

     The histories and political economy of the present and preceding century partake in the general contagion of its mechanic philosophy, and are the product of an unenlivened generalizing Understanding. In the Scriptures they are the living educts of the Imagination, that reconciling and mediatory power, which incorporating the Reason in Images of the Sense, and organizing (as it were) the flux of the Senses by the permanence and self-circling energies of the Reason, gives birth to a system of symbols, harmonious in themselves, and consubstantial with the truths, of which they are the conductors. These are the Wheels which Ezekiel beheld, when the hand of the Lord was upon him, and he saw visions of God as he sate among the captives by the river Chebar. Whithersoever the Spirit was to go, the wheels went, and thither was their spirit to go: for the spirit of the living creature was in the wheels also. The truths and the symbols that represent them move in conjunction and form the living chariot that bears up (for us) the throne of the Divine Humanity. Hence, by a derivative, indeed, but not a divided, influence, and though in a secondary yet in more than a metaphorical sense, the Sacred Book is worthily intitled the WORD of GOD. Hence too, its contents present to us the stream of time continuous as Life and a symbol of Eternity, inasmuch as the Past and the Future are virtually contained in the Present.

Samuel Taylor Coleridge: The Statesman’s Manual (1816)

ART IMAGE ©Ted Larson 2007