Remorse Too Late


Passage from: Scenes From Beyond the Grave
published in 1865 by Marietta Davis.

“Why will not mortals reason and discover the results of action, and by preventing the growth of evil and by cleaving unto God, through heaven appointed means, escape these fearful consequences? Marietta, you are not one of us, else these elements would have enveloped your being and absorbed your life. But you will return to realms of peace. Madness and delirium arise and rage within us upon being cited to scenes where love, pure love, and peace abide. You are thus addressed because of your return to earth. Tell the inhabitants thereof what you have seen, and warn them of the danger awaiting those who persist in the gratification of impure desires.”

Recognition in Hell

One hideous expression closed the scene; and being overcome—for I knew what I had witnessed was real—I was immediately removed. Those spirits I had known on Earth, and when I saw them there I knew them still. Oh, how changed! They were the very embodiment of sorrow and remorse. How ardently I desired that they might escape and become pure, and receive an inheritance with those blessed spirits I visited in Paradise of Peace.

Funhouse Portal (unhinged)

Unhinged is too weak a word for the wildest moments of Fun House, especially closer “L.A. Blues”, a fiery freakout that’s more heroin than LSD and makes no pretense of song structure. Saxophonist Steven Mackay adds a nasty edge to the album’s second side, blazing right along with the rest of the band to create a texture that sounds exactly like the album cover—Iggy tossed in a flaming sea, possibly hell. The record’s first half is somewhat tamer, with the heavy boogie of “Down on the Street” and the paranoid snarl of “T.V. Eye”, where the band plays with deadly efficiency behind Iggy’s demented vocal. Iggy actually captures the feel of the whole record in the opening line of “1970”:

Out of my mind on a Saturday night.

from PITCHFORK